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The Waiting Room

Story

The corridor outside Pathology at Sahara Hospital had exactly fourteen plastic chairs, and Rohan had counted them twice by 9:40 am, mostly because counting was easier than thinking about what the fifteen-minute wait had already turned into ninety.

His mother had gone in for the biopsy results alone — she'd insisted, the way she insisted on most things, waving him back toward the chairs with the same hand gesture she'd used to shoo him off school buses twenty years ago. Now Rohan sat with his phone face-up in his lap, refreshing nothing, texting Naveen the same three words over and over — still no news — because typing something felt marginally better than sitting with the alternative.

An old man had settled into the chair beside him around nine, a steel tiffin box on his knees, untouched. He wore a faded grey sweater despite the Lucknow morning already warming toward heat, and a string of rudraksha beads moved slowly through his fingers, not in prayer exactly, more like a habit his hands had kept long after the reason for it had blurred.

"First time here?" the old man asked, not looking over.

"My mother," Rohan said. "Biopsy."

"Ah." The old man nodded slowly, the beads still moving. "My wife has dialysis, every Tuesday and Friday, going on eleven months now. I know this bench better than my own drawing room."

Rohan didn't know what to say to that, so he said nothing, which the old man seemed entirely comfortable with.

"You're doing the thing," the old man said eventually, "where you try to already know the answer, so it can't surprise you."

Rohan looked up. "Is it that obvious?"

"You've read the same sentence on that phone four times. I've been counting." A small smile, gone as quickly as it came. "I used to do it too. First few months, I thought if I worried hard enough, thoroughly enough, nothing bad could arrive without my permission. As if worry were a kind of insurance."

"Doesn't it help? Being prepared?"

"Prepared, yes. There's a difference between prepared and this." He gestured, loosely, at Rohan's phone, his knee bouncing, the general coiled state of him. "This isn't preparing for anything. This is just suffering twice — once now, imagining it, and again later, if it happens."

A nurse called a name from the far door — not Rohan's mother's — and an entire family rose at once, too fast, then sat back down when it turned out to be someone else's turn.

"My son tells me I should stop coming," the old man said, once the corridor had settled again. "Sit at home, he says, I'll call you the moment there's news. But I told him — coming here isn't about the news. It's the only part of this whole business that's actually mine to do. Sitting beside her. Carrying the tiffin she won't eat but likes having anyway. The rest —" he opened one hand, let it fall closed again, unhurried — "the rest was never really in my hands to begin with. Wasn't then. Isn't now."

"That sounds like giving up."

"Does it?" He didn't seem offended by the accusation. "I don't think so. Giving up would be not coming. Giving up would be sitting at home refreshing my phone the way you're refreshing yours, as if that changes what's already been decided in some lab down that corridor." He tapped the tiffin box once, absentmindedly. "This is the opposite of giving up. I do exactly what's mine to do, fully, and I let go of the part that was never mine to hold in the first place."

Rohan turned this over slowly, the way you turn over something you're not sure yet whether you agree with.

"There's a line," the old man said, "I heard once, years ago, at a satsang I mostly attended because my wife dragged me. Something about surrendering the outcome, not the effort. I didn't understand it then. I understood it about the fourth month of these Tuesdays and Fridays."

The door opened. Rohan's mother stepped out, adjusting her dupatta, her face doing the particular thing faces do right before they decide whether to deliver good news or bad — a half-second where nothing has been said yet and everything still feels possible.

"Benign," she said, before he could even stand. "They want a follow-up scan in six months, just to be sure. But benign."

Rohan stood so fast his phone clattered to the floor, and for once he didn't reach for it.

When he turned to introduce her to the old man, the chair beside him was already empty — a nurse had called a name from the dialysis ward, and he'd gone in without ceremony, the way he must have gone in a hundred Tuesdays and Fridays before this one, tiffin box still in hand, still mostly untouched.

Scripture/Source: Inspired by the Bhagavad Gita, Chapter 18, Verse 66, and Krishna's broader teaching on surrender — that true surrender means fully doing what is ours to do, while releasing attachment to an outcome that was never within our control. Not a direct verse translation; adapted as an original story.

Continue Reading

Faith in Krishna — a different kind of uncertainty, and the same quiet trust that doesn't ask you to stop trying.

Worksheet

1. Vocabulary (5)

  1. What does "coiled" mean?
  2. Explain "marginally" in your own words.
  3. Use "untouched" in a sentence.
  4. What does it mean to do something "absentmindedly"?
  5. What is meant by doing something "without ceremony"?

2. Match the Words (5)

  1. Coiled — a) only slightly
  2. Marginally — b) not used or handled
  3. Untouched — c) tightly wound with tension
  4. Absentmindedly — d) formal fuss around an action
  5. Ceremony — e) done without full attention

3. MCQ (5)

  1. In which city is the story set? a) Lucknow b) Delhi c) Kanpur d) Varanasi
  2. What is Rohan waiting for? a) A job interview result b) His mother's biopsy results c) An exam result d) A train
  3. Why is the old man at the hospital? a) His own treatment b) His wife's dialysis c) A checkup d) Visiting a friend
  4. What does the old man carry with him? a) A newspaper b) A steel tiffin box c) A walking stick d) A book
  5. What are Rohan's mother's biopsy results? a) Malignant b) Benign c) Inconclusive d) Delayed

4. True/False (5)

  1. The old man has been coming to the hospital for eleven months. (True)
  2. The old man tells Rohan that worrying is a form of preparation that helps. (False)
  3. Rohan's mother goes in for her results together with Rohan. (False)
  4. The old man says showing up fully is the part that is actually his to do. (True)
  5. The old man is still sitting in the same chair when Rohan turns to introduce his mother. (False)

5. Fill in the Blanks (5) — Word bank: coiled, marginally, untouched, absentmindedly, ceremony

  1. Rohan sat ______ with worry, refreshing his phone again and again.
  2. The old man's tiffin box remained ______ on his lap the whole morning.
  3. He left for the dialysis ward without ______, tiffin box still in hand.
  4. His fingers moved ______ over the rudraksha beads as he spoke.
  5. The second hour of waiting felt only ______ easier than the first.

6. Short Answer (5)

  1. Why does Rohan keep refreshing his phone while waiting?
  2. What does the old man mean when he says worry is "suffering twice"?
  3. What does the old man say is actually his to do, and what is not?
  4. What news does Rohan's mother bring when she comes out?
  5. Why do you think the old man is already gone by the time Rohan wants to introduce him?

7. Creative Thinking (2)

  1. If Rohan visited the same hospital corridor a year later, what do you imagine he might do differently while waiting?
  2. Imagine the old man's wife recovers fully after months of dialysis — what might his Tuesdays and Fridays look like after that?

8. Character Reflection

  1. Do you think the old man has fully accepted his wife's situation, or is he still hoping and worried underneath his calm words? Use details from the story to explain your answer.

9. Creative Writing

  1. Write a short paragraph about a time you waited anxiously for news, and what you did (or wish you had done) with that waiting time.

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